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Direct Mail Magazines
In 1999, Imperial Tobacco Ltd. followed in the footsteps of its American
counterparts by launching a series of direct-mail publications. The publications,
which are mailed to the homes of individuals in the company's database, closely
resemble the kinds of popular lifestyle magazines that tobacco companies aren't
allowed to push their products in anymore. The only obvious difference is that the
pages of Imperial's magazines are jam-packed with tobacco-sponsorship ads.
Although Philip Morris and RJR
have been in the publishing business for several years, it is Brown &
Williamson's recent efforts that have developed direct marketing magazines
into the slick tobacco-marketing tool they have become. Brown & Williamson publishes a wide range of magazines,
including "Real Edge," modelled after Maxim, "Flair,"
modelled
after Glamour, "The Art of Simple Living," modelled after Good
Housekeeping, "Pursuit," an arts magazine, and "One-World," aimed at
African-Americans. Each magazine promotes a certain lifestyle, and the tobacco
products to match.
Over the past couple of years Imperial has been picking up Brown &
Williamson's titles, beginning with "Real Edge" and expanding to
"The Art of Simple Living" and "Pursuit."
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The magazines are a powerful
marketing tool not only because they allow companies to circumvent advertising
restrictions, but also because they convey powerful lifestyle messages which
ultimately support smoking. "Real Edge" is perhaps the most
striking example of this.
Like Maxim, "Real Edge: Your Guide to the Unexpected," features
articles about movies, sports, sex, and video games with the overwhelming
message that real men take real risks. An
article about cars in one issue, for example, tells us that "cars are fast in a scary,
thrilling, white-knuckle, manly way. After all, no one winds up in extreme
physical therapy after his computer crashes." A few pages later, daredevil Robbie Knievel
tells readers that, "even if this means
risking my life for bullshit, penny ante paydays, the only thing more depressing
was the thought of taking a straight job." Alongside
risk-taking, the magazine promotes the manly ideal of flouting authority. "We're not here to tell you what to
do," the editor writes, "Certainly you have enough sources for that in your life. You can make your
own choices from here."
In
spite of these clear messages, the magazine's publisher claims that, "the Real Edge
editorial is in no way influenced by Imperial Tobacco Ltd." The New York
Times, on the other hand, makes a more plausible claim about Real Edge's
editorial content. In a 1999 article, it claims that the content is
governed by a strict protocol which states that, "no mention is to be made of
smoking, cancer, illness of any kind, or any activity that people they are
writing about engaged in when they were under the age of 21."
The scheme not only benefits the tobacco industry, but their friends in the
magazine industry as well. As legislation on tobacco-advertising has
become increasingly strict, magazine publishers have lost huge amounts of
revenue. But big tobacco is making it up to them -- direct-marketing generated $650
million for the magazine industry in 1999, and is expected to make close to $1
billion in 2000.
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